Above is the original image concept for Aunnie's bridal shower invitation. It's a simple message — pure and sweet — just like their love. Lexi and Rey have the real thing!

Mr. C had a great idea, which was to print the bridal shower invites using our DIY gooco machine. It's the modern version of the japanese woodcut print. But oh my gawd, as fun as it is, it's really time consuming and a totally imperfect art.

Many thanks to my fabulous neighbor Yoriko who got this machine for me (xxoo!!) . Riso has stopped making them so I feel really lucky to have one. I found an abundance of supplies at ARCH in Potrero Hill, online you can order stuff at Paper Source.

After reading many tutorial's and examining these wonderfully helpful sites, we were on our way.
Felt Cafe Turorial
Get Crafty Tutorial
The Small Object Tutorial
The Lab Partners Process
e-How Process
gocco techniques

Here's the original xerox positioned in the screen, it was made haphazardly at our local kinkos and didn't turn out quite right. I bet using a laser printer would yield better results. There's also the gocco carbon pen to consider —though the ones that came with our kit are super fine tipped so big solids would be a pain to fill. In the future I now know not to try a distressed look without using a halftone screen because the distressing really didn't translate well. In the end it looked like we didn't ink the press properly rather than the vintage weathered look we were going for. Oh well!


One really important detail we learned was to NOT leave the original carbon xerox attached to the screen after exposure. The first screens we exposed by holding down the gocco for about 5 seconds. Afterward we left the originals attached for many minutes while we mixed ink. When we were ready to ink the screen we tried to remove the xerox paper original and found that the paper was so so so stuck it wouldn't come off and that the dark solid areas had cause a complete carbon screen fusion — see the hearts screen image above. We then did the exposures again and this time pulled the original paper off the screens as fast as possible, eh voila, see-through perfection! See below:

Next we mixed inks and then did the first pass of printing which was the pink hearts. The ink took a long time to dry so we weren't able to do the second ink run until early this am. In fact as I write this entry the cards are still drying.






The final cards are drying...keep an eye on your mailbox.

Technorati Tags: craft, gocco

Posted by big bunny at 10:08 PM | Permalink | Comments (0)

Knit with No. 4 Addis in stockinet in the round using the magic loop technique, using 100% alpaca by Blue Sky in cream (color 000). The arms are 2x2 ribbing, knit flat, 40 sts for 4.5 inches, seamed with mattress stitch and then turned inside out. The bunny was knit in the round making crazy alterations along the way...and I've lost the papers with all my calculations and adjustments, urgh. I'll have to start the next one by dissecting this one and of course I'll write down the whole process in this blog so I'll never have this "I lost my homework" frustration again. This finished beastie is 17" tall, 7" at widest point across the face and legs, each leg is 3.5", ears 2.5" all increases and decreases run in parallel down the side seams. It turned out quite a bit larger than I expected and the arms need to be smaller in the next version. I'll either go down a needle size or recalculate, ok maybe I'll do both? I think I'll switch approach too and knit from the bottom up rather than the top down since I'm not that happy with the picked up stitches seam where the ears begin. And I'll need to be adding in color so the beastie is more charming and fun. Thinking striped shorts or a circle of color for the face background would be sweet. I was so focused on writing a pattern and figuring out all the "how to" details I couldn't manage color changes or instarsia, will try for next time.

sketch
design
progress

Technorati Tags: knit toys, knitting, yarn

Posted by big bunny at 11:12 PM | Permalink | Comments (0)

Max found some socks in my closet and I pointed out to him that they are the same socks I used to sew his elephant. He then went and got his elephant and put the socks on it. Darling little mind.

I must share some places I've been and remember them myself. Lovely images, poetry, crafts and children's clothes by Eireann at bara design. She has loads of great links and beautiful taste in images.

Wonderful sewn and knitted art by Lisa Solomon. Reminds me of the amazing stitch portraits by Claire Heathcote.

Boiled Arts letterpress goodies. Supply shopping at Crafty Planet. Sample these delicious crafts and illustrations at Flor De Papel.
Lastly feast on these yummy paintings by Kelly Lynn Jones.

Technorati Tags: art, craft, decor, design, illustration, inspiration, knitting, letterpress, painting, toddler

Posted by big bunny at 10:24 PM | Permalink | Comments (0)

While wandering through the DeYoung the other weekend, I saw a single, beautifully subtle photographic print on a banana leaf and was intrigued. Having just returned from Asia, the image really got to me and the strange printing process peaked my curiosity. The image I saw titled the story of bodhisattva was an image of a victim from the Khmer Rouge regime in Cambodia [there's a picture of it here]. It was quietly painful and eerily beautiful all at once. I quickly snapped a Treo pix of the name of the artist so I could check him out later. [Oh how I love thee internet! ] I've found some sites discussing his amazing photographic photosynthesis printing process {which he calls a chlorophyll print}, information on his content, amazing images, and critical discussions. I am really moved by the powerful historical images in combination with natural objects. The unique artistic pairing makes me feel the earth —nature itself — may record our history in the very fabric of its being.

Technorati Tags: art, asia, Bay Area, photography, San Francisco

Posted by big bunny at 10:04 PM | Permalink | Comments (0)

I finally made it to the new DeYoung museum today. It's only new to me, as it's been open for a while now. I was very impressed with the architecture both inside and out. The copper skin of the building is amazing and the beautiful copper leaf behind the donors names is rich and impressive, fitting. I especially love the fractured Drawn Stone by Andy Goldsworthy. His art is naturally poetic and in this case the earthquake fracture is equally disturbing. Sadly, I must complain that the DeYoung's security staff is ridiculously uptight [Max wasn't even allowed to sit in his stroller holding a no spill sippy cup!] and the overall museum design and operation perpetuates the "we're too high and lofty" inaccessibility of fine art which makes me depressed. Art should feel good, engaging and especially accessible. Boo to the snooty types. On a positive note, I was very impressed with the The Quilts of Gee's Bend. Most of the quilts were sewn from scraps of fabric often salvaged from worn-out clothes combined in extraordinary combinations of color, pattern, and texture. They've organized the show by fabric type — I love that detail. I also enjoyed viewing the quilts first and then finding the quilters portraits on the wall behind the opening blanket. For more information and images check out this site and this one too...more, more, more and more..

Technorati Tags: art, craft, San Francisco, textile

Posted by big bunny at 9:30 PM | Permalink | Comments (0)

See how much time I just wasted! This was on today's daily candy, so you probably already saw it, but I can't help posting this silly site where you can paint your own Pollack.

Technorati Tags: art, painting

Posted by big bunny at 8:58 PM | Permalink | Comments (0)

The downloadable psd brushes created oh so miraculously by Jason Gaylor give me The Big graphic design "O." These are the best I've found and a real pleasure to play with. He offers amazing foliage, graffiti, and distressed brushes created with print resolution sizes in mind. I just love love love these. Jason, you are too cool for sharing these with the world! All of the above sketches made by moi sampling Jason's brushes. Seriously these are too fun!

How to create your own brushes: Photoshop > draw something or find artwork to use, then go to menu > edit > define brush preset > and let the stamping fun begin. A couple of links to add —here's a cool publication website with too much web design information to know where to begin but obviously it gives good linking: stylegala. And hree's a design and marketing blog with good advice: authentic boredom.

Technorati Tags: art, design, illustration, inspiration, Photoshop

Posted by big bunny at 3:57 PM | Permalink | Comments (0)

I want one! Custom build out with a mural size darkroom, huge painting studio, wood shop, letterpress printers & type drawers, knitting couch with a coffee table & giant comfy side chair, lovely kitchen with island, industrial sink (toxic solvent dumping area - say out back), killer stereo system, lots of storage shelves and then 20 years of my life to play art barn. Ahhhh, dreaming.

Posted by big bunny at 4:10 PM | Permalink | Comments (0)

These gorgeous cactus blooms only flower for one week a year. In the ten years I've been going up to meee hubbies family estate {tee hee} in Healdsburg, I've only seen them three times. Simply magical.

Posted by big bunny at 4:15 PM | Permalink | Comments (0)

I recently read a posting on the Make blog about crewel embroidery. It caught my attention because the designs were quirky, retro and modern - especially for embroidery work. Wool and Hoop is selling little kits with original designs by artist Katherine Shaughnessy. She's also just put out a book called The New Crewel. If you read the reviews it sounds fabulous because it includes lots of up close shots and clear directions showing exactly how to do it. I really like the idea of learning this technique's stitches so I can do my own illustrations. Hmmm, another hobby?! !@#$%*^&!

Wiki's wise words explaining what crewel is: Crewel embroidery is an embroidery technique which is at least a thousand years old. It was used in the Bayeux Tapestry, in Jacobean embroidery and in the Quaker tapestry. The word crewel comes from an ancient word describing the curl in the staple, the single hair of the wool. Crewel wool has a long staple; it is fine and can be strongly twisted. The crewel technique is not a counted-thread embroidery (like canvas work), but a style of free embroidery.

Posted by big bunny at 11:34 AM | Permalink | Comments (0)

Just about done, only the right hand (really foot eh?) stitch details to go. The only extra bit I added is the pink stitching over the trunk's end. I'm ready to start the kitty and already have the orange socks ready to snip. I purchased a similar pair to the brown ones used above. I got a bit of shock from my mentions on how much I paid for the thorlo hiking -only to be cut into a toy- socks. I really wanted them to be soft, thick, and hold up to a lifetime of machine washing and toddler wear and tear. My next sock shopping adventure may well be more frugal and defiantly more funky. Having gone looking for mens tube socks (a dozen for $18 - ok, I paid too much!), more tube socks, vintage rainbow striped, another good wigwam selection, and finally the biggest sized socks on earth I see there's a decent amount of raw material to work with.

Posted by big bunny at 12:25 PM | Permalink | Comments (1)

This is a bit of an addendum to the previous posting. I just finished reading a book on the japanese aesthetic wabi sabi and have a deeper appreciation for the overlooked beauty in the imperfect, broken and mundane. It's an interesting comparison to my new love of zakka which some consider japanese kitsch. I see an interesting cross over in that they can both be humble, flawed, and handmade. Someone could really sink their teeth into this and write a fabulous essay on the subject - please keep me posted if you go there. Maybe I'll circle back later. Anyway I hadn't remembered to visit wikipedia on my last zakka search but of course wiki has a great definition: zakka is the term for everything and anything that spruces up your home, life and outlook. On one level the zakka boom is just another in a series of consumer fads, but on another it's plugged into something spiritual. Cute, corny and kitsch is not enough. To qualify as a zakka, a product must be attractive, sensitive, laden with subtexts. And they link to this Tribune article discussing its elusive meaning and trend.

And now for dessert... see tasty zakka visuals from crafter extraordinaire Hilary at wee wonderfuls and then click here for good zakka & zakka mania portals, and the utterly adorable kita usagi.

Posted by big bunny at 9:42 PM | Permalink | Comments (0)

I've made excellent strides toward completing my first sock toy. Woo hoo and isn't he a cutie! I only have to finishing sewing the back of his right ear then it’s on to the fun embroidery embellishments. I do love to decorate. I may add some color to the end of his trunk or add stripe rings around his hands and feet. I'm not too sure yet, but this seems like a good opportunity to experiment. Next time I make a sock animal I need to make sure that my symmetry is a little better. The legs, torso and head are a little left leaningly wonky — but I'm hoping that makes him that much more adorable and obviously hand made. I just need more practice sewing by hand but mostly I need to slow down and be more patient during the creative process. I just get sooooo excited to see the results.

Posted by big bunny at 9:44 AM | Permalink | Comments (0)

Despite my ridiculously sore shoulder and wrist which should keep me from doing anything crafty or knitty (and yes dear I will call the dr.) I popped two advil and stayed up way too late hand sewing my first sock animal. I decided on the elephant — that long nose and those big ears — couldn't pass it up. I'm using a soft grey brown sock with dark chocolate embroidery thread. It seems to take forever to hand sew 'cause I'm first sewing it all with white thread and then embroidering the details, though compared to knitting it's going amazingly fast. See above, two legs and a body all done. The Japanese book is super easy to understand just from the line drawings. All the light grey shading means the fabric should be right sides facing, white means wrong sides facing - simple and brilliant. The rest is easy to copy from the pattern drawings and the darling pictures on the previous pages.

Posted by big bunny at 4:10 PM | Permalink | Comments (1)

I just received my first eBay purchase in the mail and I couldn’t be happier! Ages ago I posted an entry about a Japanese craft book I saw but I was hesitant to buy it since I had recently splurged on two amigurumi books while in Japantown. Just a few days ago I was surfing around and ended up in that same eBay store, Meukin, and the book I wanted then was in the final few hours of bidding so I jumped and bought the last copy. I got the rush a winning bidder feels while at an auction. I went and bragged to my colleagues, and their faces revealed just how much they could give a rats ass. Ok perhaps I revealed too much about my crafting fetish, oopsie. While out for lunch today I went into a sporting goods store and picked up some juicy socks and then trotted off to Britex to get some beautiful threads so I can sew my first sock animal. I'm waffling between the kitty and the elephant. I’m so excited to start, hope I can stay awake tonight.

sock monkey instructions

Posted by big bunny at 3:44 PM | Permalink | Comments (1)

There are many aspects of Google to admire, it's amazing breadth, depth and stark simplicity to name a few, but one of my favorite little features is the logo transformations they create on special days. Google's definition of a special day goes well beyond traditional christian holidays to include many birthdays of important people who've shaped our world history. I love Google for remembering to include the arts and encouraging their millions of users to look.

Today is Joan Miro's birthday, a favorite painter of mine. He's so beloved that I named my darling black kitty after him over 13 years ago. I'm pretty sure I read somewhere that Miro always started a painting with a black canvas rather than the conventional white one. I adore Miro's whimsical poetic surrealism and I especially adore his magical titles such as A Dew Drop Falling from a Bird's Wing Wakes Rosalie, who Has Been Asleep in the Shadow of a Spider's Web; Stars in Snails' Sexes; or Ciphers and Constellations, in Love with a Woman.

read about Miro | view his work | view the MoMa's Black & Red site

Posted by big bunny at 9:31 AM | Permalink | Comments (0)

Rosson Crow appears poised to be the next art world darling, or maybe she already is? Considering I just saw a little review in March Vogue, I'm thinking she's it. And for all the jealousy I feel towards this 24 year old painting superstar, I admit, I think her work is utterly fabulous. Her painterly mix of spacious realism and layered abstraction, gorgeous palette combinations, and intriguing mix of interior, still life, and historical political content keep me wanting more. Her work combines an unusual cross section of ideas. It pays homage to many painting masters — I see a lovely mix of Francis Bacon, German expressionism and Matisse-like interiors (the colors alone make my eyes weak at the knees) and at the same time the imagery is a Ritz Carlton Versaillesque sitting room meets Monet doing waterloo while Napoleon does waterlilies. I won't be surprised to see her mise en scene dressed in haute couture spread across the fashion and art world magazines flitting about the Parisian gallery-scape. And then a few years later we'll see her reemerge married to some New York or euro upper cruster slash nouveau royalty. Good for her (jealousy raising it's ugly head again). She has a wait list for her fresh out of school $16,000 pieces, so I'll just be over here admiring my little blog posting.

see more of her work | read her words

Posted by big bunny at 11:39 AM | Permalink | Comments (0)

I love letterpress. It's so satisfying to press the metal type into paper and then run my finger over the impression's texture and admire the lovely unevenness of the ink. Each print is a unique piece due to it's subtleties. It's really, really lovely. I can imagine a whole life where I spend everyday setting pretty type and doing short press runs. Well, for that matter I can imagine a life where I paint everyday too, which isn't much of a stretch since in my past life I spent year after year doing just that. Wah, I miss that. It's just a crying shame that it's so difficult to make a comfortable living making art. And I really know why people don't buy more art because I know how hard it is to just live and save enough for a good future, let alone feed your family and say go to the movies for a little escapism. It's tough to find balance in every regard...but I digress, this is really a posting about how fun it was to spend tonight locking up type, setting furniture and reglets, and doing lots of my own illogical (but works for me) measuring technique to center the paper within the tympan’s guides. I chose the type face styme in 18pt, and I wasn't that happy with it especially because the case was full of uneven "r"s. The two lined quote I chose was If I'd had more time — I'd have written a shorter letter.

Posted by big bunny at 10:22 PM | Permalink | Comments (1)

I didn't want to post my valentine gocco print since it was a surprise for my man. Now that heart day has come and gone I thought I'd share my "bee mine" illustration. Also in the image are some samples from my fellow classmates. (The image isn't great 'cause it's just Treo. My little Canon's battery is dead and I can't find the charger...) I'm still dreaming of owning a gocco, so I suppose I best just splurge and buy one off eBay? Sadly, I doubt a trip to Tokyo is in my near future.

Posted by big bunny at 8:06 PM | Permalink | Comments (0)

Going forward is a matter of ordinariness. —Dogen Zenji

I just returned from part II of gocco class at sfcb. Teacher "Ivar" is a quirky duck and though he knows what he's doing and is definitely a gocco expert, his heart is surely not in teaching. Now that's no excuse for my lack of attention to detail as shown by my poor registration due to rough handling and time anxiety, but hey, it happens (to me often!). I'm frustrated by the registration process on the gocco, but I'm sure it's simply operator error and lack of patience. I should also lighten up since this is only my second attempt at gocco'ing. My first screen was missing the "s" in ordinariness, that sucked and the plausible explanation was that the registration guides were blocking the screen burn. After polling and determining that "ordinarines" was not an actual french word meaning "ordinary," I bought a third screen and re-burnt. I thank Ivar for giving me half price off the sfbc mark up. I wish I had had more time to re-ink and re-print all the sheets, but alas... If I were in my art barn studio I'd be up way past midnight wasting tons of ink and paper while searching for the perfectly registered print. It's probably for the better that I only had three hours. So what have I learned? That I should really take my time and focus on each print so the registration is perfect, otherwise why bother!? No new lesson there, just same old — same old. Attention to detail and clear focus are always the key qualities to a job well done. Too bad just having a good time doesn't make a perfect print.

Posted by big bunny at 2:38 AM | Permalink | Comments (0)

I took a fun little class last night at SF's latest craze craft gym. Never fear, the word gym is only meant to draw your attention to the modern interior space or as they say "a place to give your mind a creative workout." Happily, we only lifted petite spools of thread. Ironically the little studio is directly across from another invitingly voyeuristic glass space only this one was filled with hard core krav maga students. Over the course of our three hour class we watched the windows go from transparent to dripping with steam and then solidly opaque.

Our teacher Jane was a treat, as was Besty the 13 year old wide-eyed wonder kid. Besty put Janin and I to shame by whizzing through the "as seen in readymade issue #11" rocker tee shirt project in an hour and then sewing a skirt from another tee while we both labored through re-sewing, ripping and sewing again until we had the perfect fit. I'll post a photo of my tee after a little more perfecting.

Posted by big bunny at 12:51 PM | Permalink | Comments (0)

beyond cute! and I'm not talking about my darling little man Max (who is absolutely the epitome of cuteness mind you) you simply must see for yourself. Go click around the animguruimi avocadolite farm and let the pictures speak for themselves. smoochy smooch. New goal is to learn to read a japanese crochet pattern in my lifetime.

Posted by big bunny at 8:54 PM | Permalink | Comments (0)

I can't believe it's true! I'm so sad to verify that it really is impossible to purchase a gocco machine in California, on eBay and all the websites I have tried (excepting the large format primo pricey version). Now that I've been exposed I REALLY WANT ONE! Guess I'll be booking a flight to Tokyo (ha ha ha). I've just discovered how super fun (and possibly "for profit " as the box says) it is to gocco. I completed a class thursday night at sfcb led by a quirky rock-n-roll guy named Yvar. I fell in love with the ease and instant gratification of this tiny printmaking gadget. Gocco offered up some serious crafting fun to be had and I only had the opportunity to glimpse the possibilities. I'm linking to the save gocco site. Please visit, sign the guestbook and help save the future of this genius little tool.

Posted by big bunny at 11:57 AM | Permalink | Comments (0)

I'm falling in love...down, down, down I go through the rabbit hole. Sure feels like it. Normally I'd define myself as a serious skeptic and unbelieving in human change. But hey you grow up and figure out that you really know nothing about life even though you know so much more than you did. Am I making any sort of sense? I'll stop philosophizing and get to the point. I always hated stuffed animals. But right now I'm so enamored with knit and handmade toys I want to eat them. I'm just not myself anymore. I can hear the caterpillar saying "who are YOU?" Meander through these links and then let me know if you've been able to resists a few "awe" and "oh"s escaping your lips!

jess hutchinson - So far in my research, I deem her the mistress of the most adorable and creative knit toys. I really want to get my hands on her patterns. I'm so sad that her book is sold out, wah.

molly chicken's blog — these japanese handicrafts make me grin - adorable!

Colobockle — these illustrations are super inspirationsal and sweet, yummy. they remind me a bit of Eric Carl, a childhood favorite of mine.

sigh. I would love to be living in my art barn right now. Fireplace roaring, lovely tunes floating through the air, hot pot of tea by my side and all the time in the world to create all the lovely things in my minds eye. dreaming...

Posted by big bunny at 11:00 AM | Permalink | Comments (0)

A long but fruitful evening spent printing the last part of our little book of quotes. My printing partner Jason and I spent most of the time perfecting our complicated lock up and adjusting the tight alignment and registration. We printed three of our pages all at once using a brown ink we mixed on press. It was a long set up, but a satisfying print run once we got it perfected. The class ran way over the allotted time, so we hardly had enough time to put our type back in the cases let alone clean the press. We weren't able to print covers and bind the books as we'd hoped. I'm going to attempt the japanese binding this afternoon, time permitting. I'm have to teach myself how to from diagrams...fingers crossed that I'll figure it out.

Posted by big bunny at 2:41 PM | Permalink | Comments (0)

I feel like my data integrity chakras were realigned today (my Marin roots are showing!). Thanks Mr. Tufte-info cookie. Edward Tufte's lecture was the kick in me old design arse I was looking for. The over arching theme I walked away with was " does your content have integrity and relevance?" or " get better content" (damn it!) "DESIGN CAN NOT SALVAGE POOR CONTENT." There's a quote I may frame or a mantra I may repeat ad nauseam. He also got my attention on "respect your audience" don't assume who they are (and therefore design for the underestimating least common denominator a.k.a "the know your audience" mentality). He reminded me to rise up and do better. Yep, that's the impression left on my bootie, thanks Eddie. I also walked away with three gorgeous books too deep with information to truly comprehend (ok I can, but I probably just won't cause life is short and there are so many pastries to distract my eyes and mouth). But I had a great time today, thank you, and I was reminded to care about my work even if I'm not getting any support from my colleagues, company or the outside world. Oh and I got a serious tickle from the "Tedious British Watercolor Exhibition" label in one graphic and Tufte's overarching hatred of PowerPoint. ME TOO!!!

Posted by big bunny at 9:10 PM | Permalink | Comments (0)

Still high from the clean up chemicals. Well, really just punchy from staying up way past my bedtime. Keeping this short, but I wanted to post the fun photos I took while printing my two color Oscar Wilde quote. It just worked out that one press was running a metallic pale pink and another an olive green. I'm loving the results. Yeah, finally some satisfaction. And again, I'm loving the art of letterpress. Worth every penny. The letterpress printer shown here is the Vandercook 4.

yawn. nighty, night.

Posted by big bunny at 11:36 PM | Permalink | Comments (0)

My first question was, "Is there a job case for every state?" I wasn't sure if instructor Maia just didn't want to deal with me, the super heady questioning type of student, or if there really wasn't an answer... until now. Turns out the reason why it's called a California Job Case is a mystery even after you read the article I just linked to. I spent three hours last night setting four lines of type, sigh. Well, actually the first hour was a lot of talking about what we're going to learn and the job we'll create, which turns out to be a little book of quotes. And, as it happens, there was homework. Swell, first class starts with homework. I signed up early and my phone call was a short, simple, here's my credit card kind of transaction - no mention of homework. All the other students had been informed of the project and had come with their brilliant quotes in tow. Fortunately my fab "lifeline" lil' sister and beau were home when I called and quick with the suggestions. For the first quote I'm going with Oscar Wilde. I quickly scanned the room's cases and the type choice came easy, Palantino all caps at 16pt. It looks sophisticated but the serifs and caps make it a wee bit quirky. "ANYONE WHO LIVES WITHIN THEIR MEANS SUFFERS FROM A LACK OF IMAGINATION" I then struggled thinking I could find the perfect whimsical italic for the author line which when juxtaposed with the caps would say "Wilde" without actually saying it. But the Center for the Book only has a few font faces and within those, many only have a few random sizes. None felt right. I then searched every drawer looking for a dingbat, image or abstract shape that would inspire me or even just work with the quote and type size...NADA. I've since then decided to use a chrysanthemum floral polymer plate as a wallpaper background which I designed during the letterpress II class I took in August. That should give it a little texture and flamboyant interest while leaving all the umfph to the actual quote. I now had fifteen minutes to set my next quote, so ya, you bet I choose a short one by Pablo Picasso. "ART IS LIES" set in 72 point Michelangelo with one word on each line, left justified and the remaining text "THAT TELL THE TRUTH" set in 12pt horizontally centered to the right of the "IS". I didn't get it all done by 10 o'clock, so I'll be showing up early next wednesday evening to squeeze copper strips in between the lead spacers and hopefully keep my place in line for a two color job. As always, a late night was hard to manage the next morning, but then there's that creative after-glow I always enjoy. ah.

Posted by big bunny at 9:29 PM | Permalink | Comments (0)

I started from pencil on paper, and yes it was far more satisfying than my wacom dependency. If only I had some pastels, brushes and a smock. Since I'm stuck at work, photoshop will have to do. I love Jill Bliss' sweet landscapes, so a little sham sham, copy copy, appropriatin'... I figure it's ok since it's for my own inspiration. Anything to make the painful slowness of work bearable and get me inching toward the art barn in my mind.

Posted by big bunny at 3:04 PM | Permalink | Comments (0)